>> DIRECTING: Directing The Importance of Being Earnest by Oscar Wilde at Bloomsburg University in fall 2018. Lights and sound design by Heath Hansum, scenic design by Michael Yerges, costume design by Karen Anselm, properties design by Emily James. Dialect consultant Amy Rene Byrne. Stage Managed by Alex Fortier.

IMG_0175>> PLAYWRIGHT/PROJECT LEADER: Developing Secrets from the Cemetery, a new, collaboratively-created theatrical college in partnership with Bloomsburg University theatre students, guest professionals Dano Madden and Carrie Heitman, and Bloomsburg Theatre Ensemble. → To read more about the project and to participate in our online survey, click here.

>> TEACHING: Fall 2018 courses at Bloomsburg University include Fundamentals of Acting, Directing (Introduction and Advanced), and Playwriting (Introduction and Advanced).

››› PLAYWRITING: Member of Stillwater Writers Group, a collective of writers for stage and screen led by Greg DePaul. Most recently, workshopped BARKEEP, a new 10-minute play, during a Stillwater session.

>> ADJUDICATOR: Play submission reviewer for Strange Sun Theater’s Greenhouse Series and for Philadelphia Young Playwrights.

>> TEACHING: Spring 2018 courses at Bloomsburg University included Fundamentals of Acting and Advanced Acting at Bloomsburg University. Advanced Acting focuses on language, listening and characterization on an advanced level with units on Anton Chekhov, Shakespeare and the professional world of acting. The class attended The Play That Goes Wrong on Broadway and participated in a talk back with actors in the show.

>> DIRECTING: Directed The Arsonists by Max Frisch (in a translation by Alistair Beaton) for Bloomsburg University in November 2017. Scenic design by Jen Varbalow, lighting design by Cecilia Durbin, costume design by Karen Anselm. Link to additional photos.

››› TEACHING: Awarded tenure and promotion from Assistant Professor to Associate Professor (effective August 2017) at Bloomsburg University where David teaches acting, directing and playwriting.

››› PLAYWRITING: Semi-Permanent was a semi-finalist in Southeastern Louisiana University’s 2017 Inkslinger Playwriting Competition.

>>> DIRECTING: Directed a staged reading of Fourth Planet, a new play by Dano Madden, as part of id Theater’s NYC Sit-in! Series in March 2017.

voice-recognition-festival-logo-945x630>>> PRODUCING/DIRECTING: Voice Recognition, A Virtual Theatre Festival received funding from Bloomsburg University’s Curricular Enhancement Fund sponsored by the College of Liberal Arts. The project featured 6 new 10-minute plays commissioned from professional playwrights. The catch? The plays had to be written using voice recognition software. The results? Entertaining. Student directors and actors staged concert readings of the plays in April 2017 that were live streamed (and still available for viewing) via the BU Players Facebook page.

>>> DIRECTING: David directed Harvey by Mary Chase for Bloomsburg University in March 2017.

>>> PLAYWRITING: Restoration/Conservation was selected to be published in The Paragon Journal, on online journal dedicated to the literary and visual arts. The play is included in the fourth issue of the journal.

>>> PLAYWRITING: Semi-Permanent was included in the Elephant Ears Reading Series with Elephant Room Productions in Philadelphia, PA in September 2016.

>>> PLAYWRITING: Restoration/Conservation was a semi-finalist for The 15th Annual 10 by 10 in the Triangle – Festival of New Short Plays at The ArtsCenter Stage, Carrboro, NC. There were 40 semi-finalists selected from the more than 1,130 submissions the theatre received for this year’s festival.


>>> TEACHING: In addition to his usual course schedule teaching Acting, Directing, and Playwriting, David is taught Creative Drama as a Teaching Tool at Bloomsburg University in fall of 2016.


››› PLAYWRITING: Developing Mystic in the Savage State for a future developmental workshop with Amphibian Stage Productions in Fort Worth, TX. About the Play: Professor Calkins, a psychologist at Wellesley College, attempts to legitimize synesthesia (particularly pseudo-chromesia which includes “color hearing”) in the eyes and ears of her peers. It’s the 1890s, so her field and the newness of the research, as well as expectations about her gender, stand in her way. › To read about the book that first inspired David’s interest in synesthesia, read on. For an excerpt from the play, read on. To read the full play, contact David.


››› DIRECTING: Neighborhood 3: Requisition of Doom was selected as one of eight invited productions (from the more than 60 participating from NJ, OH, MD, PA and western NY) and performed at the Kennedy Center American College Theatre Festival’s Region 2 Festival in January 2016.

››› DIRECTING: At the 2016 KCACTF’s Region 2 Festival, David directed a concert reading of Seven Minutes in Heaven by Eugenie Carabatsos.

››› PLAYWRITING: The Flames was produced by The Collective as part of C10: Comedy. Performances December 9-13, 2015 at the Paradise Factory in NYC. The production, directed by Richard Masur, featured Kevin Kane and Khan Baykal.

››› DIRECTING: Neighborhood 3: Requisition of Doom by Jennifer Haley performed November 4-8, 2015 at Bloomsburg University. Scenic design by Jen Varbalow (Leaving IKEA), sound design by Heath Hansum (Macbeth), costume design by Sarah Stuble, hair & makeup by Kassie Stachowski, lighting design by Bob Cardana, and properties design by Maggie Korell.
Video of conceptual approach to the production.
Photos of the production.

drake-circumnavigation-world-map››› DEVISING: David taught a course on Devised and Collaboratively Created Theatre at Bloomsburg University (Theatre 492) during the  Spring 2015 semester. The starting point for this collaboratively created performance is maps, mapmakers, and the feeling of being lost. A work-in-progress performance of You are here. (or, A Traveler’s Guide to Traveler’s Guides) was performed in April.